The best vampire cop show ever (in Canada)

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Photo: Tri-Star Tv / Kobal / Shutterstock

From the early to mid-90s, no one argued that crime shows had to look like the real thing. Instead, the big networks produced shows like rock cop, an incredibly strange singing procedure, and Moloney, about a cop who’s also a shrink. Unsurprisingly, both rock cop and Moloney ran for a single season each before disappearing amidst different Law and orders. But from this era of the “cop who is also X” came the improbable cult hit. Eternal knight, who boldly asked: What if a cop was a vampire… and, besides, Canadian?

On its surface, Eternal knight fits perfectly with the other prime-time series that aired in Canada when it debuted in 1992, with a certain candlelight haze of petroleum jelly that sparked the feeling, if not the reality, of a saxophone solo a soft-goth Canadiana aesthetic shared by everything from goofy-spooky Are you scared of the dark? To Advertisements for the Skor bar. Corn Eternal knight the two were and were not like the others CanCon. Of course, it was a police proceeding in Toronto that filmed in places like the Royal Ontario Museum, but the show was much more conceptual than most, after the very eventful career of Detective Nick Knight, who is found to be a horny 800 year old Gallic vampire with a soul (even). Like promotional material affirmed, “When the sun goes down, so does the crime rate. And depending on how many women he hooks up with, Detective Knight does, too.

The show is premised on the idea that Nick Knight (who was once a literal knight) became a cop because he was gripped by his conscience, thus gaining a taste for punitive justice. That doesn’t quite add up when you consider Nick’s raw body count throughout his long existence as a vampire and slut. The joker of force, Detective Knight sometimes apprehends criminals by stealing at them with shining eyes. Even so, people are constantly getting murdered over the series’ three seasons, often in the open – it’s hard to tell if Nick’s vampire cop tactics are affecting the crime rate. Most of the time, he travels around Toronto in his teal Caddy to interview a girl he’s interested in.

And you know what? It’s good. Eternal knight makes a meal of the excited gaze, populated abundantly with scenes of steamy stares, puffy windbreakers, rose petals, and close-ups of bra straps. Investigative leads take Nick to strip clubs, lingerie photo ops, and latex-draped dungeons. Eternal knight started out as a late ’80s TV movie starring Rick Springfield (!) Davies was an extreme hottie, and her crisp diction and emotional performances helped transform Eternal knight in one shot. A few years before leather-clad Angel and Spike sought to redeem the Buffy, Nick Knight has served and protected downtown Toronto in a variety of statement jackets.

Watching the show, we may wonder, Why would a French vampire move to Toronto? Did he go to Toronto Police College? There are no clear answers. Like most Canadian shows, Canada just happens, even to vampire cops. Yet one of the best parts of Eternal knight, for me, it’s the regional pain to watch scenes shot in places like Factory, one of the few classical theaters in Toronto. It’s heartwarming to have my own city mirrored, especially since it’s more often disguised in movies and on TV as New York. With the exception of a few other French vampire characters who also, for some reason, settled in Ontario, the world of Eternal knight is our own pathetic mortal, and being a vampire is equated with addiction. “I am who I am, and I don’t think Betty Ford takes vampires,” Nick tells his lovely friend and confidante, pathologist Dr Natalie Lambert (Catherine Disher), who tries to keep Nick from s ‘sink too deep into his vampire side. .

As campy as it is, the series is often touching, even adventurous, in his Brian De Palma – ish manner. Executive produced by James D. Parriott, who would go on to produce shows like Ugly Betty and Grey’s Anatomy, Eternal knight has that whirlwind of serious and vulgar that is hard to locate in today’s low-budget, low-budget entertainment. Although it was shot in Toronto and Uxbridge, Ontario, Eternal knightYou made her American debut in the CBS “Crimetime After Primetime” slot machine before moving to the USA Network, for three seasons in total. The camera work (led by the memorable Bert Dunk) relaxes in hands caressing the flesh, accompanied by synth violin or soft-rock tunes that sound familiar but are not, as they were written specifically for the show – like “Baby, Baby / CN Round Finale.

Davies is a prolific artist who has performed at the Stratford Festival, on Broadway and in UK productions; he is a delight in my favorite canadian tv series, Slings and Booms, like pompous actor Henry Breedlove. Corn Eternal knight captures him in his youth, before he played Duncan and Falstaff and Antony – and arguably, Nick is still the role he’s best known for. Although years of nighttime filming interferes with his sleep patterns to this day, Davies speaks warmly about his time as a vampire cop. “We made a Entertainment tonight spot in New York with blowing fans and long coats with rolled up collars. No one had any idea who we were because that was before the first season aired, ”the actor recalls when I emailed him. “We tried to imbue the show with a kind of humanity, knowledge and theatricality so that we were all in the secret.”

Nowadays we have brighter Canadian exports like Schitt Creek and Kim’s convenience, who achieve international success and make their actors Emmy-winning Marvel heroes. But they don’t have the brooding, charming, and slightly shabby character of shows like Eternal knight, who lived to fuck and find out – and only got better. Even the dumbest, most lascivious examples of recent CanCon seem a little too big on budget, too much American, to match the shows of my youth. Instead, I’ll come back to Eternal knight, a spectacle best consumed exactly as Nick would have liked: during the daylight hours in a spectacular loft, curtains drawn, kimono swaddled, drinking animal blood from wine bottles and ruminating on the misdeeds of the past.

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